Skip to main contentEight Phases of the Life of Shakyamuni, a Japanese Library
Description
Eight Phases of the Life of Shakyamuni, a Japanese Library
(Shaka hassō Yamato bunko)
Author
Mantei Ōga
(Japan, 1818 - 1890)
Artist
Utagawa Kunisada
(Japan, 1823 - 1880)
Dateca. 1844
MediumWoodblock print on Japan paper
DimensionsIMAGE / SHEET: 7 x 8 3/8 in.
IMAGE / SHEET: 167 x 213 mm
IMAGE / SHEET: 167 x 213 mm
Object TypePrints
Credit LineKSU, Marianna Kistler Beach Museum of Art, gift of John W. O'Shea
Object number2008.324b
On View
Not on viewEight Phases of the Life of Shakyamuni, a Japanese Library (Shaka hassō Yamato bunko) was published as a serialized novel in fifty-eight installments from 1845 to 1871. While the author of the series, Mantei Ōga (born 1819 and died 1890 in Edo/Tokyo), loosely based the story on the biography of the Buddha in India, he presented episodes from the life of the Buddha (Shakyamuni in Sanskrit) and his disciples as dramatic scenes recast mostly from images of popular entertainment culture of the day. Critical reviews of the time complained about how distant the tales were from Buddhist canonical traditions.
The renowned and prolific print artist Utagawa Kunisada designed these illustrations using the mode of ukiyo-e, or pictures of the floating world, which was most often used to create images of stylish theatre subjects and fashionable beautiful women of the pleasure quarters. Kunisada wove scenes from the story into densely packed cursive script, making the most of the available space to produce a compact, lengthy, and affordable novel.
The sample selections of surviving black-and-white woodblock printed pages presented here are not in sequence. At some point these pages were disassembled from the original fifty-eight small bound volumes, which had brightly colored woodblock printed covers.
—Sherry Fowler
The renowned and prolific print artist Utagawa Kunisada designed these illustrations using the mode of ukiyo-e, or pictures of the floating world, which was most often used to create images of stylish theatre subjects and fashionable beautiful women of the pleasure quarters. Kunisada wove scenes from the story into densely packed cursive script, making the most of the available space to produce a compact, lengthy, and affordable novel.
The sample selections of surviving black-and-white woodblock printed pages presented here are not in sequence. At some point these pages were disassembled from the original fifty-eight small bound volumes, which had brightly colored woodblock printed covers.
—Sherry Fowler
Exhibitions
Mantei Ōga
ca. 1844
2008.324c
Mantei Ōga
ca. 1845
2008.324a
Mantei Ōga
ca. 1844
2008.324d
Mantei Ōga
ca. 1844
2008.324e
Mantei Ōga
ca. 1844
2008.324f
Mantei Ōga
ca. 1844
2008.324g
Mantei Ōga
ca. 1844
2008.324h
Mantei Ōga
ca. 1844
2008.324i
Mantei Ōga
ca. 1844
2008.324j
Mantei Ōga
ca. 1844
2008.324k
Mantei Ōga
ca. 1844
2008.324l
Mantei Ōga
ca. 1844
2008.324m